![]() ![]() NVIDIA Quadro is recommended for Digital Content Creation (DCC)Īdding a desktop video card accelerates the rendering process for editing, but is not as important to overall performance as the CPU. This dual Intel Xeon configuration is the vendor-recommended setup for Avid Media Composer when conducting multi-stream AVC video work and 4K video editing. Motherboard sockets: Intel Core i7-6000 ‘Skylake’ and ‘Broadwell-E’ processors fit the socket type on LGA-1511 motherboards some of these will require BIOS updates to run properly. Intel Xeon and Intel Core i7-5000K series ‘Haswell-E’ processors fit the socket type on LGA-2011v3 motherboards.ĭual Xeons: Big-time television and film production studios use extremely powerful workstations with dual Intel Xeon E5-2600 processors (on a LGA-2011v3 dual socket motherboard), for maxed-out performance using Premiere Pro. In this case, a good bang-for-buck CPU is an Intel Xeon E5-1650v3 (logical 12-core, 3.6 GHz) or Intel Core i7-5820K (logical 12-core, 3.5 GHz)-both provide a good mix of cores and clock at a reasonable price. In the sense that the best computer for video editing is largely a price-to-performance proposition, processors with 16-20 cores only add value when Premiere Pro is used with in tandem with another program such as After Effects, for example. High-end systems with an Intel Core i7-6900K (logical 16-core, 3.2 GHz) or an Intel Core i7-6950X (logical 20-core, 3.0 GHz) are shown to push performance a bit further, but at diminishing returns for the price difference. It makes sense, then, that the Intel Core i7-6700K (logical 8-core, 4.0 GHz) is popular processor for professional video editing workstations. The sweet spot for Adobe Premiere Pro is 8-12 logical cores, and a clock speed above 3.0 GHz. Operating frequency is a determining factor for computer responsiveness as well. Performance gains flat-line for Hyper Threaded CPUs with more than 10 cores physical cores, or 20 logical cores. A 6-8 core CPU is most efficient for 4K preview generation.A four-core CPU is most efficient for 1080p preview generation.A six-core CPU is most efficient for 4K encoding to MPEG-2 and MPEG-4 (AVC).A four-core CPU is most efficient for 1080p encoding to MPEG-2.The figures below show where CPU cost-to-performance ratio is the most efficient at each level of video editing. How many cores are ideal? Puget Systems’ benchmarking of multi-core processors with Adobe Premiere says more is better-to a certain point. Better responsiveness when running multiple programs.Faster encoding of files into playable formats. ![]() The more cores a processor has, user benefits include: So, an OS sees a quad-core CPU with Hyper-Threading as an eight-core processor a six-core as 12-core, and so on. A CPU with Hyper-Threading adds a logical, or virtual, core to each physical core built into the die. Software for content creation is designed for multi-core processors. ![]() The best computer for video editing largely depends on the CPU Learn more below the table about how I arrived at these, and viable substitutes for each. Here’s a quick set of component recommendations for the best computer for video editing at several price increments. Which components provide the non-negotiable performance needed for the job? Which ones provide the nice-to-have benefits that fall within your budget ranges? Rendering and encoding footage at HD and higher resolutions demands a mid- to-high end CPU and a good amount of DRAM. I'd appreciate it.The best computer for video editing provides optimal performance for running Adobe Premiere Pro, Avid Media Composer, After Effects, Maya, and other professional editing programs. If anyone has had the same issue and knows what I may be doing incorrectly here, please do let me know. In the meantime, I uninstalled 3.5.4 and reverted to 3.5.1 and fortunately, even the most up-to-date bins show up fine there, with the originally entered key numbers. They asked me to email them copies of a current version of a bin and a backed up version. I called local tech support who were as surprised as I am about this issue. Same happened even when I attempted to delete old key numbers and re-enter fresh ones. For example, if I enter 2685+00, it would enter as 1845+07 or something way off like that. The key number I enter would not be the key number that gets entered. I then loaded a fresh batch of footage, and manually tried entering starting key numbers for the same. Everything was working like a dream.Īfter upgrading to 3.5.4, I noticed that all my previously entered key numbers had changed. A whole bunch of telecined footage was loaded in and key numbers entered and logged. I am working on project filmed on Super 16mm which I had begun on 3.5.1. I recently upgraded from Media Composer 3.5.1 to 3.5.4. ![]()
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